WaterTower Theatre is proud to announce that the 2010 Out of the Loop Fringe Festival will take place March 4 - 14, 2010.
The Out of the Loop Fringe Festival provides opportunities for existing and emerging theatre, dance and music companies and artists to present work that may vary in form and presentation from their typical content. Together, these companies provide the North Dallas and surrounding areas with a diverse range of artistic endeavors. National, regional and Dallas-based artists in theatre, dance, music, comedy, puppetry, and poetry will be presented side by side throughout the Festival.
This year we are capturing all the Loop maddness with our Out of the Loop Photobooth! Check out all the Photobooth Loopy-ness here
To see a complete festival schedule in excel format by production company, click here.
To see a complete festival schedule in excel format by production title, click here.
If you are a member of the press, you can visit the Out of the Loop Press Page by clicking here.
Hawthorn Suites of Addison is the official hotel sponsor of the Out of the Loop Fringe Festival. For reservations call 972-386-4800 or visit HawthornAddison.com
Official Hotel Sponsor of the Out of the Loop Festival; For reservations call 972-386-4800
Reviews
Click here
to see a preview of the festival from The Dallas Morning News
Showtimes
and Ticket Information
Festival passes, good for one admission to each event, are $60 and will be available starting January 4, 2010 by calling the WaterTower Theatre Box Office at 972.450.6232. Tickets to individual shows go onsale February 15, 2010.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 10 - 14
The Three Redneck Tenors present Broadway Bound
The boys have finally made it to the Great White Way – trailer and all – smack dab right in the middle of Times Square. Although the Colonel and the boys have finally found the perfect venue, they're now on a quest to find the perfect show! Join our 3 singing cousins as they stampede their way through Broadway's greatest hits! You'll hear the belt out tunes from such favorite shows as Phantom of the Opera, The Sound of Music, Little Orphan Annie, Les Miserables, A Chorus Line and many others. Join Billy Joe, Billy Bob and Billy Billee as they put the odd in Broadway for a roof‐raising, unforgettable good time.
Reviews
Click here
to visit The Three Redneck Tenors online
Showtimes
and Ticket Information
Broadway Bound will be performed on the Festival Main Stage:
Wednesday, March 10 at 7:30 PM Thursday, March 11 at 7:30 PM Friday, March 12 at 8:00 PM Saturday, March 13 at 2:00 PM and 8:00 PM Sunday, March 14 at 2:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Festival passes will not be accepted to this production. Festival passholders may purchase discounted tickets for $10 through the festival box office.
Tickets are $20 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
March 6 & 7
Seth Rudetsky presents Broadway Seth Rudetsky Style written and performed by Seth Rudetsky
The star of Sirius/XM Radio’s daily Broadway show and the on‐camera vocal coach on MTV’s Legally Blonde: Search for Elle Woods. Seth explores his own private video and audio collection to show Texan audiences how to deconstruct what's vocally amazing (Patti LuPone in Evita) and what's a vocal travesty (Madonna singing the same material). As a pianist, Seth has played for more than a dozen Broadway shows including Ragtime, Les Miserables, The Phantom of the Opera and The Producers.
Broadway Seth Rudetsky Style will be performed on the Festival Main Stage on:
Saturday, March 6 at 5:00 PM Sunday, March 7 at 7:30 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $15 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 4 - 7
Mike Daisey performs Great Men of Genius
GREAT MEN OF GENIUS A Four-Evening Meditation on Men and Their Gifts
Created and Performed by Mike Daisey
Directed by Jean-Michele Gregory
Monologuist Mike Daisey presents a dazzling epic work: four “bio-logues" about megalomania and desire constructed from the interleaved life stories of Bertolt Brecht, P.T. Barnum, Nikola Tesla and L. Ron Hubbard. Over four nights Daisey explores the nature of genius and wrestles with the pride, insanity and chauvinism that bind these men together, and reveals how the heights and depths of their gifts have much to teach us about ourselves. Each evening is unique and can be viewed independently, but all four together form an epic oral accounting of triumph and folly told with Daisey’s dark and hilarious intensity.
Mike Daisey takes on 4 different luminaries in Great Men of Genius
Reviews
“It’s a quirky meeting of minds and talents that reminds you why live theater is so much better than the straightforward, standard-issue bio you usually get with film and TV." - - Gothamist
“Mike Daisey makes storytelling sexy." - - L Magazine
“Engaging and funny, Mike Daisey’s monologues brim with subtle messages that never hammer you over the head . . . by association, he adds himself to the titular category." - - Time Out New York
Click here
to hear a preview of the show from PegasusNews.com
BERTOLT BRECHT “Art is not a mirror held up to reality, but a hammer with which to shape it." Playwright, poet, lover of women and certifiable cad who escaped Nazi Germany, sympathized with the Communists, failed in Hollywood, was persecuted by McCarthy, and redefined world theater.
P.T. BARNUM “The people like to be humbugged." Gifted entrepreneur, showman, raconteur, hoaxster, freakshow and circus promoter who changed the face of nineteenth-century America through blatant, shameless lying.
NIKOLA TESLA “Our virtues and our failings are inseparable, like force and matter. When they separate, man is no more." Mad genius, brilliant scientist and visionary who sparred with Thomas Edison and died insane and penniless writing love sonnets to pigeons after bringing the world electricity as we know it.
L. RON HUBBARD “No man who is not himself honest can be free–he is his own trap." Bigamist, occultist, and charismatic science fiction author-turned-guru who took 1950's popular psychiatry by storm and went on to create the Church of Scientology: the most celebrity-driven and litigious organization on Earth.
PRODUCTION HISTORY:
Great Men of Genius has received productions at Berkeley Repertory Theater, where it won the Bay Area Critics Circle Award, Joe’s Pub at the Public Theater, the Galapagos Arts Center in New York as part of the Evolve theater series, and at the Capitol Hill Arts Center in Seattle.
PERFORMANCE SCHEDULE
Great Men of Genius: P.T. Barnum performs Thursday, March 4 at 7:30 PM Great Men of Genius: Bertolt Brecht performs Friday, March 5 at 8:00 PM Great Men of Genius: Nikola Tesla performs Saturday, March 6 at 8:00 PM Great Men of Genius: L. Ron Hubbard performs Sunday, March 7 at 5:00 PM
Each monologue is unique and different. Your Festival Pass will grant admission to one of the above performances. Tickets to additional performances can be purchased through the festival box office.
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $15 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
One Performance - March 8 Only!
Mike Daisey performs How Theater Failed America
A monologue about theater, failure, passion, and hope
Created and Performed by Mike Daisey
Directed by Jean-Michele Gregory
Called “the master storyteller…one of the finest solo performers of his generation" by the New York Times, monologuist Mike Daisey sinks his razor-sharp wit into a subject he knows well: the American theater, from the sublimely crass to the genuinely ugly. From gorgeous new theaters standing empty as cathedrals, to “successful" working actors traveling like migrant farmhands, to an arts culture unwilling to speak or listen to its own nation, Daisey takes stock of the dystopian state of theater in America: a shrinking world with smaller audiences every year. Fearlessly implicating himself and the system he works within, Daisey seeks answers to essential and dangerous questions about the art we’re making, the legacy we leave the future, and who it is we believe we’re speaking to.
Immediately following this performance, we invite you to stay for a panel discussion including Mike Daisey, WTT Producing Artistic Director Terry Martin, Dallas Theater Center Artist Director Kevin Moriarty, and local actress Denise Lee. The discussion will be moderated by KERA critic and reporter Jerome Weeks.
Reviews
“A sardonic rebuke to the corporate types who hold American theater hostage and a powerful sense of the wonder of theater. A remarkable performer." - - The New York Times
“Striking and poetic…this piece should reach anyone who believes in live performance." - - Variety
“His transfixing delivery underscores his central point: theatre is a wave, not a particle, and the current system isn't doing it—or us—justice." - - The New Yorker
This monologue first premiered last January at the 2008 Under the Radar Festival at the Public Theater. It was then performed in Seattle at the Capitol Hill Arts Center in February before opening at the Public Theater in Joe’s Pub in March. Following a critically-acclaimed run it transferred Off-Broadway to the Barrow Street Theater, where it played until July. Its most notorious performance was at the TCG Conference this summer, where it played for a capacity crowd of artistic directors and arts administrators at the largest theater conference in the country. Discussion ensued. Since then it has run across the country in acclaimed runs in Washington DC, Chicago, and Philadelphia.
How Theater Failed America will be performed Monday, March 8 at 7:30 PM.
Tickets are $15 each. Festival passes will not be accepted for this performance. Tickets may be purchased through the festival box office beginning Tuesday, February 16 by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 4, 7, 11 & 13
Audacity Theatre Lab presents CHOP written and performed by Brad McEntire
CHOP concerns a man devoid of ambition, with a profound sense of isolation from the busy, happy, productive people around him. Through a chance encounter with a mysterious tattooed woman he is introduced to what may be his true calling - a subculture of unique fetishists who enjoy getting their limbs lopped off. As the guy willing to wield the axe and make the chops, he may finally develop a sense of belonging.
Thursday, March 4 at 7:30 PM Sunday, March 7 at 5:00 PM Thursday, March 11 at 7:30 PM Saturday, March 13 at 5:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 6, 7, 9 & 13
Club 119 Productions presents I Sing! music & lyrics by Sam Forman & Eli Bolin
Everyone knows everyone wherever you go; New York’s the biggest little town I know.
Hailed as one of the best Off-Broadway scores ever written and described as bringing an Avenue Q style attitude to Sondheim-esque music, I Sing! is the tumultuous tale of love triangles, betrayal, and unrequited desire in the Prozac era. Centering around the lives of five young New Yorkers confronting their futures, I Sing! is an energetic snapshot of a lust for life in the city that never sleeps, a story of youthful sensibilities told entirely in song.
Saturday, March 6 at 2:00 PM Sunday, March 7 at 7:30 PM Tuesday, March 9 at 7:30 PM Saturday, March 13 at 2:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 5, 7, 9 & 13
Cyrano Players present Communication Breakdown by Molly Moroney
Communication Breakdown is a trilogy of one acts that look at the humor in every day experiences. The trilogy begins with Hazards At Horizons about a woman with lost luggage and an unpleasant airline employee. Next, Communication Breakdown and the late arrival of the cable guy gives his customer unexpected consequences. Finally, Futilitarian Hell has a woman caught in the bank's automated phone system where a routine call becomes a nightmare when she believes the government is involved.
: Linda Leonard, Trey Walpole, Summer Selby, Maria Zsohar & (seated) Moira Wilson
Communication Breakdown will be performed in the Stone Cottage:
Friday, March 5 at 8:00 PM Sunday, March 7 at 7:30 PM Tuesday, March 9 at 7:30 PM Saturday, March 13 at 11:00 AM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 11 & 13
David Bithell presents the difference engine composed and performed by David Bithell
Part Rube Goldberg wizardry, part multimedia feast - this is a performance spectacle you have to see to believe. Trained as a musician, interdisciplinary artist David Bithell takes the virtuosity of musical performance and adapts it in a captivating take on physical theater - from invented musical instruments that have a life of their own to an intricate choreography of gadgets - the difference engine is experimental, genre-defying, funny, and fun.
the difference engine will be performed in the Studio Theatre:
Thursday, March 11 at 7:30 PM Saturday, March 13 at 5:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 12 & 13
David Parr presents Mimi at the 44th Parallel by David Parr
At The 44th Parallel Lounge in the remote outskirts of Kingston, Ontario, a mysterious young man searching for the father who abandoned him applies for a job as a piano player. Instead of his father, however, he finds Mimi, the bright and quirky wife of the bar's alcoholic owner – who may hold the key to all of their destinies. David Parr, author of Eleanor Rigby is Waiting and Slap and Tickle, presents this World Premiere.
Showtimes
and Ticket Information
Mimi at the 44th Parallel will be performed in the Stone Cottage:
Friday, March 12 at 8:00 PM Saturday, March 13 at 2:00 PM Sunday, March 14 at 7:30 PM
Festival passes, good for one admission to each event, are $60 and will be available starting January 4, 2010 by calling the WaterTower Theatre Box Office at 972.450.6232. Tickets to individual shows go onsale February 15, 2010.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
One Night Only - March 9
Donald Fowler presents a reading of Creep by Donald Fowler; choral arrangements by Lee Harris
Award-winning actor/playwright Donald Fowler presents the world premiere staged reading of his new musical Creep (the very, very, sad but unfortunately true and completely fabricated tale of Jack the Ripper). Forget everything you think you know about Jack the Ripper - Donald creates his own unique take, loosely based on the facts surrounding the world's first serial killer. Creep features a haunting score and an ending that will leave you breathless.
Reviews
Click here
to read a preview from The Dallas Voice
Creep will be performed on the Festival Main Stage:
Tuesday, March 9 at 7:30 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
Hey, Baby...You Lookin' for a Good Time? Marisa Diotalevi and Sherry Etzel (a dynamic duo of dames) know how to please with their unique blend of song, dance, sketch and improv comedy. Girls Gone Weird puts the FUN back in funny, the HOT back in hottie, the SIL back in silly, the GUF back in guffaw, the GIG back in giggle, the TIT back in titter, the CHORT back in chortle, the BROAD back in Broadway and the HA back in hardy, har, har!
Sherry Etzel & Marisa Diotalevi are Girls Gone Weird!
Showtimes
and Ticket Information
Girls Gone Weird: Gone Lupe! will be performed in the Studio Theatre:
Friday, March 5 at 10:00 PM Saturday, March 6 at 10:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 12 & 13
Menàge à-Ha presents She's Come Undone
Ménage à-Ha! is perky, quirky, jerky comedy where no subject is sacred and the ridiculous is sublime! Sherry Etzel and Maria Zohar have been seen on stages across the D/FW area...and in many late-night, unstaged, spur-of-the-moment performances, which they don't care to expound upon. From celebrity spoofs to tongue-in-cheek sketch and song parodies, it's the most fun you can have with your clothes on!
Showtimes
and Ticket Information
She's Come Undone will be performed in the Studio Theatre:
Friday, March 12 at 10:00 PM Saturday, March 13 at 10:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
One Day Only - March 6
Muscle Memory Dance Theatre presents The Rubber Room
M2DT dances the personal narratives of four NYC teachers detained in the The Rubber Room - a place of limbo where hundreds of New York City schoolteachers are suspended each year - their teaching privileges temporarily, indefinitely revoked. Accused of a wide range of misconduct, these fully paid NYC teachers are not allowed in the classroom. Instead, they must report to an off-campus location commonly known as “The Rubber Room". Using text from This American Life, M2DT's dance interprets situations occurring in The Rubber Room – a place where a present day Lord of the Flies meets the City Services of NYC.
The Rubber Room will be performed in the Stone Cottage:
Saturday, March 6 at 2:00 PM, 5:00 PM and 8:00 PM.
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 4, 7 & 14
Rite of Passage Theatre Company presents Binge by Thomas Ward
Binge is a dark comedy centering around an obese man as he prepares to undergo a life-changing gastric bypass surgery. As the surgery looms closer, he is forced to confront his personal motives and, ultimately, the uncomfortable truth of how he sees himself. Stuffed with humor, anger, passion, and compulsive behavior, Binge asks its audience to consider the nature of beauty, the toxicity of vanity, and to question one's own motives for so-called “self improvement."
Thursday, March 4 at 7:30 PM Sunday, March 7 at 2:00 PM Sunday, March 14 at 5:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 13 & 14
SceneShop presents Lost Beat Generation: Troika
This year, SceneShop presents Lost Beat Generation, a lab project of SceneShop. LBG will be offering three short pieces: Jimmy Jim Jim and the MFM by Meron Langsner, followed by Split Pea Soup written by Steven Alan McGaw, and Morrison by Nicholas Irion. This intriguing collection of one-acts feature individuals struggling against foes and obstacles bigger than they are, caught in the maw of circumstances well beyond their control.
Stephen Eyre in Jimmy Jim Jim and the M.F.M.
Reviews
Click here
to learn more about Lost Beat Generation
Lost Beat Generation: Troika will be performed in the Stone Cottage:
Saturday, March 13 at 8:00 PM Sunday, March 14 at 2:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 6, 13 & 14
Second Thought Theatre presents Power Lunch by Alan Ball
When an egomaniacal man and an erratic woman meet over a “Power Lunch" they instantly connect, but very quickly detest one another. This combative comedy by Alan Ball, Oscar-winning screenwriter for American Beauty and the creative force behind HBO's True Blood and Six Feet Under, examines the role that gender plays in determining who really holds the power in relationships.
Newton Pittman as "Man" and Kara Torvik Smith as "Woman"
Power Lunch will be performed in the Studio Theatre:
Saturday, March 6 at 8:00 PM Saturday, March 13 at 11:00 AM Sunday, March 14 at 7:30 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 7, 12 & 14
Shane & Erica Peterman present The Glamorous Life
Shane and Erica Peterman invite you into their story of life, love, marriage and parenthood. Told through some of the greatest music of all time, their tale of unconditional love is both humorous and touching. From classic standards like Someone to Watch Over Me and If I Loved You to contemporary pieces such as The Next Ten Minutes and My Stupid Mouth, both singers blend two journeys into one. If you have ever loved someone, have a child of your own or simply enjoy musical theatre - don’t miss this show.
The Glamorous Life will be performed in the Studio Theatre:
Sunday, March 7 at 5:00 PM Friday, March 12 at 8:00 PM Sunday, March 14 at 2:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
One Night Only - March 14
Sound Culture presents Saliendo Abierta (Emerging Open) written and performed by Tammy Gomez
Acclaimed performance poet Tammy Gomez takes us into the light as she battles the darkness and isolation of solitary confinement. Her newest one-woman work Saliendo Abierta (Emerging Open) explores the internal crisis that ensued when she became trapped in her bedroom closet and the stories, memories, and zen-like focus that helped her open the door two and a half days later.
Showtimes
and Ticket Information
Salienda Abierta (Emerging Open) will be performed on the Festival Main Stage:
Sunday, March 14 at 7:30 PM
Festival passes, good for one admission to each event, are $60 and will be available starting January 4, 2010 by calling the WaterTower Theatre Box Office at 972.450.6232. Tickets to individual shows go onsale February 15, 2010.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 7, 10 & 14
Sundown Collaborative Theatre presents Videotape by Cody Lucas
Left alone for 16 years with only the television as their window to the outside, Christian and Abraham attempt to make sense of the world around them. They’ve adapted to their habitat and created their own mythology, but when their routine is disturbed, secrets come to light and their primal nature surfaces. Videotape explores the bond between brothers and what exactly defines a family.
Reviews
Click here
to visit Sundown Collaborative Theatre online.
Sunday, March 7 at 2:00 PM Wednesday, March 10 at 7:30 PM Sunday, March 14 at 5:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.
March 5, 6, 10 & 13
WaterTower Theatre presents My First Time by Ken Davenport and People Just Like You
"I remember my first sexual experience. I was alone at the time!" (Story #6509)
"I still have the Metallica shirt he wore that night." (Story #23960)
"File mine under clumsy and awkward!" (Story #4294)
In 1998, a decade before blogging began, MyFirstTime.com allowed people to anonymously share their own true stories about their First Times. The website became an instant phenomenon as over 40,000 stories poured in from around the globe. My First Time gives voice to those real, anonymous internet submissions. In stories that are sweet, tragic, awkward, sexy (and everything in between), My First Time will have you laughing in the aisles and thinking about your own First Time.
My First Time will be performed in the Studio Theatre:
Friday, March 5 at 8:00 PM Saturday, March 6 at 5:00 PM Wednesday, March 10 at 7:30 PM Saturday, March 13 at 8:00 PM
Festival Passholders may book advance reservations on Tuesday, February 9.
Tickets are $10 each and go onsale to the general public on Tuesday, February 16. Tickets may be purchased through the festival box office by calling 972.450.6232 or online here.
Productions may contain adult language, sexual situations, and/or violence. Please visit with the Box Office Staff for content information regarding a particular production.